s c o t t  p a z e r a
THE PROVERBIAL DESERT ISLAND QUESTION FOR MUSICIANS

The initial question:  What is the one CD (or double album, such as Stevie Wonder's: Songs In The Key of Life) you would take with you knowing you would be stranded and had only ONE you could choose?

The answers I received for this question ranged from the simple reply, to an all out discussion of jazz and music history in general.  For the artists that responded with one album there answers are below.  For those that sent a detailed I response, I am listing there replies towards the bottom.  I still have many people that have not responded to my original email so check back as I am sure this list will keep growing.

Who picked? What they play? What artist they chose? Which album?
Scott Pazera Bass Isaac Hayes Truck Turner/Two Tough Guys Soundtrack
Marion Trout Trumpet Miles Davis The Complete Concert 1964 - My Funny Valentine + Four & More
Derek Henderson Drums Miles Davis Live Around the World
Tim Miller Drums Buddy Rich West Side Story
Waz Piano Miles Davis In A Silent Way
Danny Weiss Saxophone Enrico Caruso Compilation of arias by opera tenor
Marvin Robinson Drums Al Jarreau Look to the Rainbow
Rick Deja Saxophone Juluka Universal Men www.talkingleaves.com/pithouse.html
Jason Alsman Drums Sting Ten Summoners Tales
Bryan Kemler Saxophone John Coltrane Giant Steps
Tim Bales Trumpet Gene Ammons Juggin' Around
Willie "Oliver" Williams Piano Yellowjackets Live Wires
Dexter Sims Bass Donny Hathaway Voices Inside - Everything is Everything
Marco Villarreal Guitar JS Bach The Goldberg Variations by performed by Glenn Gould.
Steve Hashimoto Bass Miles Davis Bitches Brew
Stewart McKinsey Bass Jaco Pastorius or
Schascle
Invitation
Self-titled debut
Scott Proffitt Drums John Coltrane Live at the Village Vanguard Box
James Russell Guitar Paco Pena Misa Flamenca
Jeremy Perigo Saxophone Maceo Parker Life on Planet Groove
Leandro Lopez Varady Piano Maurice Ravel Daphnis et Chloe [ballet][The complete version performed by The Boston Symphony conducted by Seigi Ozawa .]

Henry Johnson - Guitar

Miles Davis -
    1. Four And More
    2. Miles Davis In Europe
    3. Kind of Blue
    4. 'Round About Midnight
    5. Milestones
John Coltrane -
    1. Blue Train
    2. Giant Steps
    3. My Favorite Things
    4. Impressions
    5. John Coltrane & Johnny Hartman
Dizzy Gilespie -
    1. Birk's Work - The Verve Big-Band Years
    2. Sonny Side Up
    3. For Musicians Only
Charlie Parker -
    1. Confirmation - The Best of the Verve Years
Clifford Brown & Max Roach -
    1. Live At The Bee Hive
Cannonball Adderly -
    1. Them Dirty Blues
    2. What Is This Thing Called Soul
    3. Somethin' Else
    4. Mercy, Mercy, Mercy
Herbie Hancock -
    1. Maiden Voyage
    2. Speak Like A Child
    3. Emperyan Isles
    4. Headhunters
    5. Thrust
George Benson -
    1. It's Uptown
    2. The George Benson Cookbook
    3. Weekend In LA
    4. Body Talk
    5. Bad Benson
    6. Breezin'
Wes Montgomery -
    1. Smokin' At The Half Note
    2. Incredible Jazz Guitar
    3. Tequila
    4. Full House
    5. So Much Guitar
    6. The Dynamic Duo - Jimmy Smith & Wes Montgomery(1&2)
Jimmy Smith -
    1. The Sermon
    2. A New Jazz Star
    3. Live At Small's Paradise
    4. The Boss

Anything by Freddie Hubbard, Lee Morgan, Art Blakey & The Jazz Messengers, Oscar Peterson, Duke Ellington or Count Basie.

Rich Cohen - Saxophone

Allow me to break your rules slightly. Instead of noting a particular commercial CD, I'll offer a compilation CD that I would take with me on all trips that have the potential of landing me on the proverbial island. I'll limit myself to a 10 tune compilation. Here's the content:

1) Shirley Horn's version of "Here's to Life", because there's no greater vocal artist than Shirley and I think it would be crucial to have recordings of the human voice.

2) Susie Merriman (my wife) singing "I've Grown Accustomed to His Face", because I assume I'm stranded by myself and I would really miss Susie and her version of this is really beautiful.

3) The Beatles "Here Comes the Sun" because it always puts a smile on my face.

4) Valdimir Ashkenazy playing Beethoven's Piano Sonata No. 8 "Pathetique" because I think it's one of the most simple and beautiful melodies, especially as played by Vladimir.

5) Pat Metheny's version of "Third Wind" from The Road To You CD because it's filled with energy (especially check out Lyle Mays' comping behind Pat's solo at the end).

6) Rick Margitza's version of "Green Dolphin Street" from his This is New CD since it's one of the most creative and cohesive interpretations of a standard that I've heard.

7) Michael Brecker's version of "Renaissance Man" from his Time Is Of The Essence CD (the tune is dedicated to Eddie Harris) because I love the groove and I'll always love Michael's playing.

8) John Coltrane's version of "26-2" from the Coltrane's Sound CD because the complexity flows out of Trane so naturally on this cut.

9) Keith Jarrett's version of "Autumn Leaves" off the Still Live double CD because it was an inspiration when I was making the transition back into playing music.

10) Kenny Garrett's version of "Giant Steps" off the Triology CD because it's so swingin and I'll have lots of time to try and figure out what he's doing (it's assumed that I'll at least be able to make a bamboo flute from the bamboo that will obviously be abundant on the island, although it will probably take a few years to figure out how to get the 12 chromatic tones).
 

Marvin Robinson - Drums
would have also liked to include

Early Tower of Power - All of their 1st 5 albums - my favorite band of all (Tower of Power, In the Slot, Live in Living Color, Back to Oakland)  Best Funk, Rock, R&B arrangement and instrumental/vocal integration - ever.
Count Basie - E=mc2 (Circa 1958)  big band precision jazz at it's finest...
Dakota Staton - Late, Late Show -  the best integration of voice and trombone I've ever heard.
Earth, Wind & Fire  - Greatest hits
Robert Russel Bennett's  Victory at Sea (There is an Atlantic Records version I listened to as a child that is even better, but can't be found).
Bill Chase - Chase the clouds away
Woody Herman - 1964
Henry Mancini - Greatest Hits, and Hatari! and Arabesque
Isaac Hayes - Shaft (Some of the best movie arrangements ever....)
Jr. Walker and the All Stars - Shotgun
John McLaughlin - Birds of Fire
Andrew Lloyd Weber - Jesus Christ Superstar
John Williams - Overtures
Stevie Ray Vaughn - Back Step
Chic Corea - Romantic Warrior
Gino Vannelli/Storm at Sunup
Bobby McFerrin & Chic Corea Play Bluenote
Any Dave Weckl
Miles Davis - Birth of the cool
Emerson, Lake & Palmer
Maynard Ferguson MF Horn 2

Judd Danby - Piano

Stretching the double-CD concept only slightly (!), I would bring the following four CDs in one of those boxes that hold 2-4 discs:
Disc 1 - Miles Davis, "My Funny Valentine" (disc 1 from the Complete 1964 concert)
Disc 2 - Keith Jarrett, "At the Blue Note" Saturday, June 4, 1994, 2nd Set (CD 4)
Disc 3 - Dave Douglass, "In Our Lifetime"
Disc 4 -Compilation:
     Sinatra, mid-50s Capitol cuts (from "In the Wee Small Hours...,"
           "No One Cares," "Songs for Swingin' Lovers," etc.)
     Kurt Elling, selections from "This Time It's Love"
     Elliott Carter, Variations for Orchestra, James Levine/CSO